##issue.vol## 2 (2020)
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##issue.vol## 2 (2020)
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Editorial
Dra. Lorena Valdebenito
9-12
Editorial
https://doi.org/10.4067/S0719-53892020000200009%20
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Artículos Música
Daniela Fugellie
14-39
Female performers, composers and musicologists at the meetings of the Anacrusa music group (1985-1994)
https://doi.org/10.4067/S0719-53892020000200014
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Fernanda Vera Malhue##common.commaListSeparator##Dania Sánchez Hernández##common.commaListSeparator##Isidora Mora Salas
40-77
María Luisa Sepúlveda Maira (1883-1957): From the “Historiographical Fading” to the current presence of a Chilean composer and musician.
https://doi.org/10.4067/S0719-53892020000200040
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Gabriela Goñi##common.commaListSeparator##Benjamín López
78-105
Paz Miranda project: Fusion and indie music in Valparaíso
https://doi.org/10.4067/S0719-53892020000200078
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Julio Arce
106-130
Paco España and Stage Transvestism during the transition
https://doi.org/10.4067/S0719-53892020000200106%20
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Susana Riascos Aguirre
132-157
The Woman in venezuelan academic educational musical history: A study of gender
https://doi.org/10.4067/S0719-53892020000200132%20
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Romina Dezillio
158-189
First creole series by Isabel Aretz:: Female artistic creation in the construction of scientific knowledge
https://doi.org/10.4067/S0719-53892020000200158%20
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Nayive Ananías
190-220
“Not every day a pretty woman who knows how to write appears in the world”: Consonances and dissonances in the brazilian music press (1896-1960)
https://doi.org/10.4067/S0719-53892020000200190
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