Vol. 2 (2020)

Vol. 2 (2020)

Published December 1, 2020

Editorial

Dra. Lorena Valdebenito
9-12
Editorial
https://doi.org/10.4067/S0719-53892020000200009%20
PDF (Español (España))

Artículos Música

Daniela Fugellie
14-39
Female performers, composers and musicologists at the meetings of the Anacrusa music group (1985-1994)
https://doi.org/10.4067/S0719-53892020000200014
PDF (Español (España))
Fernanda Vera Malhue, Dania Sánchez Hernández, Isidora Mora Salas
40-77
María Luisa Sepúlveda Maira (1883-1957): From the “Historiographical Fading” to the current presence of a Chilean composer and musician.
https://doi.org/10.4067/S0719-53892020000200040
PDF (Español (España))
Gabriela Goñi, Benjamín López
78-105
Paz Miranda project: Fusion and indie music in Valparaíso
https://doi.org/10.4067/S0719-53892020000200078
PDF (Español (España))
Julio Arce
106-130
Paco España and Stage Transvestism during the transition
https://doi.org/10.4067/S0719-53892020000200106%20
PDF (Español (España))
Susana Riascos Aguirre
132-157
The Woman in venezuelan academic educational musical history: A study of gender
https://doi.org/10.4067/S0719-53892020000200132%20
PDF (Español (España))
Romina Dezillio
158-189
First creole series by Isabel Aretz:: Female artistic creation in the construction of scientific knowledge
https://doi.org/10.4067/S0719-53892020000200158%20
PDF (Español (España))
Nayive Ananías
190-220
“Not every day a pretty woman who knows how to write appears in the world”: Consonances and dissonances in the brazilian music press (1896-1960)
https://doi.org/10.4067/S0719-53892020000200190
PDF (Español (España))